Książka Visible Word - Experimental Typography and Modern Art, 1909-1923 Johanna Drucker

Visible Word - Experimental Typography and Modern Art, 1909-1923

Język: Angielski
Oprawa: Miękka
Dostępność: Dostępna u dostawcy
Wysyłamy za 9-15 dni
165.34
Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography...

Informacje o książce

Język
Angielski
Oprawa
Książka - Miękka
Data wydania
1997
strony
306
EAN
9780226165028
ISBN
0226165027
Enbook ID
02002083
Waga
468
Wymiary
229 x 154 x 18

Pełny opis

Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography that blurred the boundaries between visual art and literature. In this text, Johanna Drucker shows how later art criticism has distorted our understanding of such works. She argues that Futurist, Dadaist, and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by mid-century, however, the tenets of New Criticism and High Modernism had polarized the visual and the literary. Drucker suggests a methodology closer to the actual practices of the early avant-garde artists, based on a re-reading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara.

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