Książka Turning the Table or Turning the Trick Katharina Kirchhoff

Turning the Table or Turning the Trick

A socio-linguistic Gender Analysis of the Stereotype 'BITCH' in Afro-American Hip Hop with special Emphasis on Female Artists

Język: Angielski
Oprawa: Miękka
Wydawca: Grin Publishing
Dostępność: Dostępna u dostawcy
Wysyłamy za 5-8 dni
68.26
Seminar paper from the year 2012 in the subject English Language and Literature Studies - Linguistic...

Informacje o książce

Język
Angielski
Oprawa
Książka - Miękka
Data wydania
2013
strony
24
EAN
9783656395836
ISBN
3656395837
Enbook ID
05283824
Wydawca
Waga
45
Wymiary
148 x 210 x 2

Pełny opis

Seminar paper from the year 2012 in the subject English Language and Literature Studies - Linguistics, grade: 1,3, University of Leipzig (Institut für Anglistik), course: Anglistische Linguistik, language: English, abstract: The stereotype bitch is probably one of the most common female stereotypes used in Hip Hop music. Especially many male artists glorify, justify and thus, normalise the objectification and exploitation of women in their songs and videos. Rap-lines of popular artists like:"Bitches ain't shit but hoes and tricks; Lick on these nuts and suck the dick; Get s the fuck out after you re done [...]"(Dogg Bitches Ain t Shit) reduce women to sex objects and reveal the misogynistic character of Hip Hop music. In this thesis, I will concentrate on a certain community of practice (McConnell-Ginet 71) , which is the Afro-American Hip Hop culture of the United States of America. Hip Hop evolved out of black cultures (Watkins 9) and was practiced in American ghettos since the 1970 s. Those ghettos were mostly inherited by Afro-Americans and the Hip Hop movement began to rise in this context.Hip Hop music has undergone major transformations in the last two decades. One of the most significant occurred in the early 1990s with the emergence of Gangsta Rap. The St.James Encyclopedia of Popular Culture identifies Gangsta Rap as the most controversial type of rap music, having received global attention for its vivid sexist, misogynistic, and homophobic lyrics, as well as its violent depiction of urban ghetto life in America (Abram, 198). Due to the rising emancipation and the feminist movements, women are increasingly present and active in all parts of life and so they are in making Hip Hop music. Therefore, the question emerges if the stronger appearance of female Hip Hop musicians challenges the determination of the stereotype bitch in Afro-American Hip Hop culture.Therefore, I will research how the stereotype bitch is constructed in Hip Hop culture, with special emphasis on female artists. For this reason, I will combine the fields of Linguistics and Gender Studies.

Możesz być zainteresowany

36.62

Writing Away

Lavinia Spalding
112.87
71.75
54.88

Aftermath

Marilynn Larew
43.51
170.36
77.84
317.77
189.32
41.11

Carving for Cara

Melissa McSherry
57.28
68.26

Klienci, którzy kupili tę książkę, kupili również

Malý princ

Lestrade Agnes de
41.11

Die 95 Thesen

Martin Luther
28.53

Sagen der Stadt Halle und des Saalkreises

Siegmar Baron von Schultze-Gallera
71.45

Straßenrecht

Thomas Troidl
563.59

Silvesterglocken

Charles Dickens
49.29

Tušta i tma

Aleksandar Zograf
49.79

¿Saltamos?

Pastor Flores
110.77

BROADWAY 3

FERDJOUKH
101.39

Zeit der Nomaden

Nick Living
105.58
106.28