Książka Russian Formalism Robert Stolt

Russian Formalism

Comparison of the use of Formalist terminology in two scholarly articles and evaluation of Formalism's contribution to scholarship

Autor: Robert Stolt
Język: Angielski
Oprawa: Miękka
Wydawca: Grin Verlag
Dostępność: Dostępna u dostawcy
Wysyłamy za 8-11 dni
59.92
In the course of this essay the terminology that was applied by the Russian Formalist theoreticians...

Informacje o książce

Autor
Język
Angielski
Oprawa
Książka - Miękka
Data wydania
2010
strony
28
EAN
9783640560837
ISBN
3640560833
Enbook ID
01630611
Wydawca
Waga
45
Wymiary
140 x 216 x 2

Pełny opis

In the course of this essay the terminology that was applied by the Russian Formalist theoreticians shall be investigated (many terms were even invented and introduced by the Formalists themselves). More precisely, a careful look will be taken at how the literary critics, Medvedev and Bakhtin in The Formal Method in Literary Scholarship and Hansen-Löve in Der Russische Formalismus examine the Formalist terms. In order to evaluate Formalist terminology accurately and objectively, the mentioned critics theories shall be underpinned by and contrasted with the opinion of other critics in this field. §Two of Shklovsky s articles, The Resurrection of the Word and Art as Device are taken as a starting point for paving the way for a detailed analysis of the formal terminology. §The major focus lies on the term ostranenie that was firstly introduced by Shklovsky (1991) and is most commonly translated as estrangement , defamiliarisation or making it strange . The essay shall not only analyse the origins of this concept, but furthermore, compare the different interpretations the term entails. Hansen-Löve s evaluation of the concept of ostranenie as well as Medvedev and Bakhtin s assessment of Shklovsky analysis of Tolstoy s §Kholstomer in the view of estrangement reveals the critical approach on which this essay is based on. §Moreover, the Russian term of obnazenie , the laying-bare of the work (Hansen-Löve, 1978) and oveshchestvlenie , the process of materialisation (Medvedev & Bakhtin, 1978), shall be regarded throughout this essay, since both concepts go hand in hand with the idea of ostranenie. §In the last part of the essay, the formal theory of shutting out subjective consciousness from the work (Medvedev & Bakhtin, 1978) and the effects of this concept are in the centre of the attention. This shall lead to the final evaluation of the quality in the formalist concept of perception.

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