Książka Peter Lorre: Face Maker Sarah Thomas

Peter Lorre: Face Maker

Constructing Stardom and Performance in Hollywood and Europe

Autor: Sarah Thomas
Język: Angielski
Oprawa: Twarda
Wydawca: Berghahn Books
Dostępność: Dostępna u dostawcy
Wysyłamy za 9-15 dni
608.18
The author has a sophisticated command of the material and the book is balanced, judicious and very...

Informacje o książce

Autor
Język
Angielski
Oprawa
Książka - Twarda
Data wydania
2012
strony
222
EAN
9780857454416
ISBN
0857454412
Enbook ID
04742642
Wydawca
Waga
442
Wymiary
226 x 161 x 17

Pełny opis

The author has a sophisticated command of the material and the book is balanced, judicious and very thorough. In particular, the author explores aspects of Lorre's career that have been neglected or misunderstood: his "Mr. Moto" roles; his extensive work on radio and television; and the final phase of his film career working at AIP. Andrew Spicer, University of the West of England [This book] makes a significant contribution to the existing literature on stardom and acting, with not only a useful reappraisal of Lorre's work and reputation but also with some valuable insights into the nature of "extra cinematic person," the interrelationship between radio and cinema during the studio era, and the significance of actor collaborations. This is a fascinating study of how misconceptions arise over time regarding an actor's persona and reputation. Martin Shingler, University of Sunderland Peter Lorre described himself as merely a 'face maker'. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang's M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre's screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre's career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance. Sarah Thomas is Lecturer in Film Studies at Aberystwyth University.

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