Książka Native Americans and Cinema Barkász Csilla

Native Americans and Cinema

The Representation of Native Americans in Three Contemporary American Films

Język: Angielski
Oprawa: Miękka
Wydawca: VDM Verlag
Dostępność: Na zamówienie
Wysyłamy za 17-27 dni
210.36
The term 'Native American' covers more than 500 §nations living in the U.S., with a rich cultural §h...

Informacje o książce

Język
Angielski
Oprawa
Książka - Miękka
Data wydania
2008
strony
60
EAN
9783639097375
ISBN
3639097378
Enbook ID
06818764
Wydawca
Waga
95
Wymiary
152 x 229 x 3

Pełny opis

The term 'Native American' covers more than 500 §nations living in the U.S., with a rich cultural §heritage, a real mystery for many outsiders. Yet, §we all are familiar with the 'Indian', the product §of the White man s imagination. Western films from §Hollywood s golden age invariably depicted Native §Americans as primitive, bloodthirsty savages and §threats to the civilization. Has the American film §industry produced movies in which the first nations §of America are portrayed in their cultural integrity §and variety, devoid of clichés and biases? The first §two chapters of this book tackle this question, by §analyzing two films from the 1990 s: Kevin Costner's §immensely popular "Dances with Wolves" and Jim §Jarmusch's art film, the "Dead Man". The third §chapter is dedicated to Chris Eyre s "Smoke §Signals", the first feature film directed, written §and photographed by Native Americans that achieved §popularity among Non-Native audiences, too. This §analysis should help anybody, interested in the §filmic representations of Native Americans and their §cultures, in relation with the portrayal of the §White man and White American society in general. The term ''Native American'' covers more than 500 §nations living in the U.S., with a rich cultural §heritage, a real mystery for many outsiders. Yet, §we all are familiar with the ''Indian'', the product §of the White man s imagination. Western films from §Hollywood s golden age invariably depicted Native §Americans as primitive, bloodthirsty savages and §threats to the civilization. Has the American film §industry produced movies in which the first nations §of America are portrayed in their cultural integrity §and variety, devoid of clichés and biases? The first §two chapters of this book tackle this question, by §analyzing two films from the 1990 s: Kevin Costner''s §immensely popular "Dances with Wolves" and Jim §Jarmusch''s art film, the "Dead Man". The third §chapter is dedicated to Chris Eyre s "Smoke §Signals", the first feature film directed, written §and photographed by Native Americans that achieved §popularity among Non-Native audiences, too. This §analysis should help anybody, interested in the §filmic representations of Native Americans and their §cultures, in relation with the portrayal of the §White man and White American society in general.

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