Książka Manly Masquerade Valeria Finucci

Manly Masquerade

Masculinity, Paternity and Castration in the Italian Renaissance

Język: Angielski
Oprawa: Twarda
Dostępność: 50 % szansa
Przeszukamy cały świat
538.99
"The Manly Masquerade" unravels the complex ways men were defined as men in Renaissance Italy throug...

Informacje o książce

Język
Angielski
Oprawa
Książka - Twarda
Data wydania
2003
strony
328
EAN
9780822330547
ISBN
0822330547
Enbook ID
04937737
Waga
680
Wymiary
159 x 248 x 32

Pełny opis

"The Manly Masquerade" unravels the complex ways men were defined as men in Renaissance Italy through readings of a vast array of sixteenth- and seventeenth-century evidence-medical and travel literature; theology; law; myth; conduct books; and, plays, chivalric romances, and novellas by authors including Machiavelli, Tasso and Ariosto. Valeria Finucci shows how ideas of masculinity were formed in the midst of acute anxiety about paternity by highlighting the beliefs - widely held at the time - that conception could occur without a paternal imprimatur or through a woman's encounter with an animal, or even that a pregnant woman's imagination could erase the father's 'signature' from the fetus. Against these visions of reproduction gone awry, Finucci looks at how concepts of masculinity were tied to issues of paternity through social standing, legal matters, and inheritance practices.Highlighting the fissures running through Italian Renaissance ideas of manliness, Finucci describes how, alongside pervasive images of the virile, sexually active man, early modern Italian culture recognized the existence of hermaphrodites and started to experiment with a new kind of sexuality by manufacturing a non-man: the castrato. Following the creation of castrati, the Church forbade the marriage of all non-procreative men, and in this move, Finucci identifies a powerful legitimation of the view that what makes men is not the possession of male organs or the ability to have sex, but the capability to father. Through analysis, anecdote, and rich cultural description, "The Manly Masquerade" exposes the 'real' early modern man: the paterfamilias.

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