Angielski
Heidi Holland, a successful art historian, tries to find her bearings in a rapidly changing world. Gradually distancing herself from her friends, she watches them move from the idealism and political radicalism of their college years through militant feminism and eventually, back to the materialism that they had sought to reject in the first place. Heidi's own path to maturity involves an affair with the glib, arrogant Scoop Rosenbaum, a womanizing lawyer/publisher who eventually marries for money and position; a deeper but even more troubling relationship with a charming, witty young pediatrician, Peter Patrone, who turns out to be gay; and increasingly disturbing contacts with the other women, now much changed, who were a part of her childhood and college years. Eventually, Heidi comes to accept the fact that liberation can be achieved only if one is true to oneself, with goals that come out of need rather than circumstance. As the play ends, Heidi begins to find a sense of fulfillment and continuity that may well elude the others of her anxious, self-centered generation.
Funny, touching, and written with rare grace and sensitivity, the play is a moving examination of the progress of a generation, from the socially and politically activist 60s to the success-oriented 80s - a time during which the status of American women underwent profound, and sometimes unsettling, change.
