Książka Ford Madox Ford Andrzej Gasiorek

Ford Madox Ford

Literary Networks and Cultural Transformations

Język: Angielski
Oprawa: Miękka
Wydawca: Brill
Dostępność: Dostępna u dostawcy
Wysyłamy za 14-21 dni
500.91
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major p...

Informacje o książce

Język
Angielski
Oprawa
Książka - Miękka
Data wydania
2008
strony
287
EAN
9789042024373
ISBN
9789042024373
Enbook ID
09012163
Wydawca
Waga
490
Wymiary
155 x 235 x 17

Pełny opis

The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford's work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially IThe Good Soldier/I, long considered a modernist masterpiece; and IParade's End/I, which Anthony Burgess described as 'the finest novel about the First World War'; and Samuel Hynes has called 'the greatest war novel ever written by an Englishman'. In these, as in most of his books, Ford renders and analyses the crucial transformations in modern society and culture. One of the most striking features of his career is his close involvement with so many of the major international literary groupings of his time. In the South-East of England at the Ifin-de-sičcle/I, he collaborated for a decade with Joseph Conrad, and befriended Henry James and H. G. Wells. In Edwardian London he founded the IEnglish Review/I, publishing these writers alongside his new discoveries, Ezra Pound, D. H. Lawrence, and Wyndham Lewis. After the war he moved to France, founding the Itransatlantic review/I in Paris, taking on Hemingway as a sub-editor, discovering another generation of Modernists such as Jean Rhys and Basil Bunting, and publishing them alongside Joyce and Gertrude Stein. Besides his role as contributor and enabler to various versions of Modernism, Ford was also one of its most entertaining chroniclers. This volume includes twelve new essays on Ford's engagement with the literary networks and cultural shifts of his era, by leading experts and younger scholars of Ford and Modernism. Two of the essays are by well-known creative writers: the novelist Colm Tóibín, and the novelist and cultural commentator Zinovy Zinik.

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