Feminist Narrative Ethics

Name: Feminist Narrative Ethics
Brand: Ohio State University Press
SKU: 9780814252581
Price: 133.88 PLN
Availability: InStock

Tacit Persuasion in Modernist Form

Autor: Katherine Saunders Nash

Język:

Oprawa: Miękka

Wydawca: Ohio State University Press

Dostępność: Dostępna u dostawcy

Wysyłamy za 14-21 dni

133.88 zł

Feminist Narrative Ethics: Tacit Persuasion in Modernist Form establishes a new theory of narrative...

Informacje o książce

Autor

Katherine Saunders Nash

Język

Angielski

Oprawa

Książka - Miękka

Data wydania

2015

strony

192

EAN

9780814252581

ISBN

9780814252581

Enbook ID

02796929

Wydawca

Ohio State University Press

Waga

290

Wymiary

152 x 229 x 11

Pełny opis

Feminist Narrative Ethics: Tacit Persuasion in Modernist Form establishes a new theory of narrative ethics by analyzing how rhetorical techniques can prompt readers of novels to reconsider their ethical convictions about women's rights. Katherine Saunders Nash proposes four new theoretical paradigms: the ethics of persuasion (Virginia Woolf), of fair play (Dorothy L. Sayers), of distance (E. M. Forster), and of attention (John Cowper Powys). While offering close readings of novels by each author, this book also provides a new, interdisciplinary basis for coordinating feminist and rhetorical theories, history, and narrative technique. Despite pronouncements by many theorists about the difficulty-even the impossibility-of doing justice in a single study to both history and form, Feminist Narrative Ethics proves that they can be mutually illuminating. Its approach is not only resolutely rhetorical, but resolutely historical as well. It strikes a felicitous balance between history and form that affords new understanding of the implied author concept.Feminist Narrative Ethics makes a persuasive case for the necessity of locating authorial agency in the implied (rather than the actual) author and cogently explains why rhetorical theory insists on the concept of an implied (rather than an inferred) author. And it proposes a new facet of agency that rhetorical theorists have heretofore neglected: the ethics of progressive revisions to a project in manuscript.

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