Angielski
During the great flourishing of modern art in fin-de-siecle Vienna, artists of that city focused on images of individuals. Their portraits depict artists, patrons, families, friends, intellectual allies, and society celebrities from the upwardly mobile middle classes. Viewed as a whole, the images allow us to reconstruct the subjects' shifting identities as the Austro-Hungarian Empire underwent dramatic political changes, from the 1867 Ausgleich (Compromise) to the end of World War I. This is viewed as a time when the avant-garde overthrew the academy, yet Facing the Modern tells a more complex story, through thought-provoking texts by leading art historians. Their writings examine paintings by innovative artists such as Gustav Klimt, Oskar Kokoschka and Egon Schiele alongside most of their predecessors, blurring the conventionally-held distinctions between 19th-century and early-20th-century art, and revealing surprising continuities in the production and consumption of portraits. This compelling book also features works by lesser-known female and Jewish artists, giving a more complete picture of the time.
