Angielski
This collection samples art and lit that no longer exist. Viewing Byzantium as a cover story of how art mimics dissolution, its Nova Lunch of Evangelion angels and destruction of the past, Little Boy bomb destroying the present, and adult children Little Boyed and animed in Disney forms that Stockhausen contorts into the divine, these all corrupt Genesis angels with "digitalis" infect Van Gogh's later work where his vision is distorted by the drug into colors of complements and opposites. This drug is packaged, broadcast in cell towers from 2012 to 2016 and then 2016 to 2020 to cover the Second Obama & First Trump of society Against the Grain. A Rebors Byzantium, to not entertain the past and blow the present to bits, a hybrid future begun in the Banquet Years by Shattuck and the Eyeshot Baudelaire, marches to the beat of its juxtaposition. we retain of the past in inner speech.
A centaur-like fusion of man and machine, a digital-Trojan Horse that gallops through history, politics, and teck with a wink and a snort and a cheeky homonym! This half-human, half-AI steed, sparking its hooves on the data streams of 5G towers, its bow-wielding rider a president-puppet of unseen Palantir executives and their "six hundred billion invisible spiritual beings" is a place where walls hum with surveillance and the air crackles with coded conspiracies.
