Książka Disruptive Acts Mary Louise Roberts

Disruptive Acts

The New Woman in Fin-de-Siecle France

Język: Angielski
Oprawa: Twarda
Dostępność: Dostępna u dostawcy
Wysyłamy za 14-20 dni
455.22
In fin-de-siecle France, politics were in an uproar, and gender roles blurred as never before. Into...

Informacje o książce

Język
Angielski
Oprawa
Książka - Twarda
Data wydania
2003
strony
304
EAN
9780226721248
ISBN
0226721248
Enbook ID
04548810
Waga
642
Wymiary
159 x 233 x 26

Pełny opis

In fin-de-siecle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new women", a group of primarily urban middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered nontraditional marriages, and some took up the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home. Mary Louise Roberts examines a constellation of these famous new women active in journalism and the theatre, including Marguerite Durand, founder of the women's newspaper "La Fronde"; the journalists Severine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for playacting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of "La Fronde" itself was such an act, because it demonstrated that women could write just as well about the same subjects as men - even about the volatile Dreyfus Affair. When female reporters for "La Fronde" put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. Thanks to the adventures of new women like these, conventional domestic femininity was exposed as a choice, not a destiny. Lively, sophisticated and persuasive, "Disruptive Acts" should be a major work not just for historians, but also for scholars of cultural studies, gender studies and the theatre.

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