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Książka Dance Thomas F. DeFrantz

Dance

American Art, 1820-1960

Autor: Thomas F. DeFrantz, Lynn Garafola, Dakin Hart, Constance Valis Hill, Analisa Leppanen-Guerra, Valerie J. Mercer, Jacqueline Shea Murphy, Kenneth Myers
Język: Angielski
Oprawa: Twarda
Wydawca: Yale University Press
Dostępność: Dostępna u dostawcy
Wysyłamy za 14-20 dni
198.31 zł
As an enduring wellspring of creativity for many artists throughout history, dance has provided a vi...

Informacje o książce

Autor
Thomas F. DeFrantz, Lynn Garafola, Dakin Hart, Constance Valis Hill, Analisa Leppanen-Guerra, Valerie J. Mercer, Jacqueline Shea Murphy, Kenneth Myers
Język
Angielski
Oprawa
Książka - Twarda
Data wydania
2016
strony
304
EAN
9780300211610
ISBN
0300211619
Enbook ID
09491476
Wydawca
Yale University Press
Waga
2050
Wymiary
267 x 294 x 34

Pełny opis

As an enduring wellspring of creativity for many artists throughout history, dance has provided a visual language to express such themes as the bonds of community, the allure of the exotic, and the pleasures of the body. This book is the first major investigation of the visual arts related to American dance, offering an unprecedented, interdisciplinary overview of dance-inspired works from 1820 to 1960. Fourteen essays by renowned historians of art and dance analyze the ways dance influenced many of America's most prominent artists, including George Caleb Bingham, William Sidney Mount, Winslow Homer, John Singer Sargent, Cecilia Beaux, Isamu Noguchi, Aaron Douglas, Malvina Hoffman, Edward Steichen, Arthur Davies, William Johnson, and Joseph Cornell. The artists did not merely represent dance, they were inspired to think about how Americans move, present themselves to one another, and experience time. Their artwork, in turn, affords insights into the cultural, social, and political moments in which it was created. For some artists, dance informed even the way they applied paint to canvas, carved a sculpture, or framed a photograph. Richly illustrated, the book includes depictions of Irish-American jigs, African-American cakewalkers, and Spanish-American fandangos, among others, and demonstrates how dance offers a means for communicating through an aesthetic, static form.

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