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  • Photography and the Contemporary Cultural Condition   Osborne Peter D. (University of the Arts London UK), ISBN:  9780415736251 Photography and the Contemporary Cultural Condition   Osborne Peter D. (University of the Arts London UK), ISBN:  9780415736251

Photography and the Contemporary Cultural Condition

Commemorating the Present
Autor:
In this book, Osborne demonstrates why and how photography "as "photography has survived and flourished since the rise of digital processes, when many anticipated its dissolution into a generalized system of audio-visual representations or its collapse under the relentless overload of digital imagery. He examines how photography embodies, contributes to, and even in effect critiques how the contemporary social world is now imagined, how it is made present and how the concept and the experience of the Present itself is produced. Osborne bases his discussions primarily in cultural studies and visual cultural studies. Through an analysis of different kinds of photographic work in distinct contexts, he demonstrates how aspects of photography that once appeared to make it vulnerable to redundancy turn out to be the basis of its survival and have been utilized by much important photographic work of the last three decades.
  • Język: Angielski
  • Oprawa: Twarda
  • Kategorie: Photography & photographs
  • Liczba stron: 194
  • Wymiary (mm): 180 x 252 x 18
  • Wydawca: Taylor & Francis Ltd
  • Rok wydania: 2018
  • ISBN13 (EAN): 9780415736251

Szybka dostawa od 6,99 zł, darmowa dostawa od 199 zł (Paczkomaty InPost)
562,16 zł

Szczegóły

In this book, Osborne demonstrates why and how photography "as "photography has survived and flourished since the rise of digital processes, when many anticipated its dissolution into a generalized system of audio-visual representations or its collapse under the relentless overload of digital imagery. He examines how photography embodies, contributes to, and even in effect critiques how the contemporary social world is now imagined, how it is made present and how the concept and the experience of the Present itself is produced. Osborne bases his discussions primarily in cultural studies and visual cultural studies. Through an analysis of different kinds of photographic work in distinct contexts, he demonstrates how aspects of photography that once appeared to make it vulnerable to redundancy turn out to be the basis of its survival and have been utilized by much important photographic work of the last three decades.
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